Passionately Driven to create ground-breaking cinematic experiences utilizing emerging technologies such as Virtual & Augmented Reality. With 10 + years experience in game development and film productions. Well known throughout the game industry and VR & AR communities as a leading pioneer combining AI with volumetric Holograms & dynamic films. Recognized as an early adopter of new technologies and mixed reality subject matter expert and was positioned as a futurist by GQ Magazine - ("Dilallo thinks the near future will be based in augmented reality, where images are superimposed onto your surroundings (i.e. Pokémon Go). It’ll be as easy as slipping on a pair of goggles, choosing who you’d like to have over and seeing a famous adult actress flop around on your Ikea couch. What a time to be alive!")
Immersed inside Activision's Innovation lab up in Albany New York at Vicarious Vision's studio where I help lead development on several prototypes combining live crowd Cinematics with built in AI using reaction based filming techniques for Guitar hero which earned critical acclaim and winning many awards from major video game publications, and is considered one of the most influential games of the first decade of the 21st century and has earned more than $2 billion in sales.
My career in the game industry began before college as a Lead QA tester for Acclaim. Over a decade after I've been focused on becoming one of the most well rounded creative directors in the world with a bachelors and foundation built from computer engineering. I went on to become a Leading designer for Activison in several disciplines; mission, game, tech and audio moving into a producer role for several VR companies and to finally I moved my way into my career role as a creative Director where I've lead several teams on high profile VR & AR experiences
"Design is in everything, it's the core of creation; to know design fundamentals, principals, systems, the design process itself; one's achievements are only bound by their determination to see a design through fruition" - Daniel DiLallo
July 2013 - Present
3x Studios designs, captures, and produces cinematic experiences in virtual reality. We're collaborating with many of the world's most well known brands and musical talent to bring mind-blowing and immersive entertainment experiences to your fingertips.
July 2013 - Present
Leader in Augmented & Virtual Reality tourism applications and real life replication applications.
May 2013 - June 2014
For more than 30 years, Activision has been changing the way people play. In the process, we have built one of the largest portfolios of recognized brands and today we are one of the most valuable interactive entertainment companies in the world.
July 2004 - 2006
A state of the art University designed for the world of entertainment, media, arts, and technology. Full Sail's creative approach to education provides an immersive, fast-paced, and relevant learning experience that mirrors the workflow and collaboration found throughout today's rapidly evolving industries.
Spider-Man 3 is a 2007 action-adventure game loosely based on the Spider-Man 3 film and released for the Game Boy Advance, Microsoft Windows, Xbox 360, PlayStation 2, Nintendo DS, Wii, PlayStation 3 on May 4, 2007. A PSP version was released on October 17, 2007. The Game Boy Advance, PlayStation 2, Nintendo DS, PlayStation Portable & Wii versions were developed by Vicarious Visions
Marvel: Ultimate Alliance 2 is an action role-playing video game, the sequel to Marvel: Ultimate Alliance. It was released September 15, 2009. The game was jointly developed by Vicarious Visions (PlayStation 3 and Xbox 360) The PlayStation 3 and Xbox 360 versions of Marvel Ultimate Alliance 2 were generally well received, averaging above 70% at aggregators GameRankings and Metacritic.
The Guitar Hero series (sometimes referred to as the Hero series) is a series of music rhythm games first published in 2005 by RedOctane and Harmonix, and distributed by Activision, in which players use a guitar-shaped game controller to simulate playing lead, bass guitar, and rhythm guitar across numerous rock music songs. Players match notes that scroll on-screen to colored fret buttons on the controller, strumming the controller in time to the music in order to score points, and keep the virtual audience excited. The games attempt to mimic many features of playing a real guitar, including the use of fast-fingering hammer-ons and pull-offs and the use of the whammy bar to alter the pitch of notes. Most games support single player modes, typically a Career mode to play through all the songs in the game, and both competitive and cooperative multiplayer modes. With the introduction of Guitar Hero World Tour in 2008, the game includes support for a four-player band including vocals and drums. The series initially used mostly cover versions of songs created by WaveGroup Sound, but most recent titles feature soundtracks that are fully master recordings, and in some cases, special re-recordings, of the songs. Later titles in the series feature support for downloadable content in the form of new songs.
it is the first single retail video game to exceed one billion dollars in sales. The company also claimed that it is the second-best selling video game title since 1995, following Wii Play, and is one of the best-selling third-party games available for the Wii.
Around 2008, Activision began actively courting pitches for a new COD instalment, planning to expand the series based on its increasing success at the time. One of those ideas was a very different take called Roman Wars, that would have followed a soldier in Julius Caesar’s Tenth Legion, technically the spec ops of its day.
As of March 31, 2012, Activision has sold over 30 million Skylanders toys, and sales are expected to exceed $500 million by the end of the year. A direct sequel, Skylanders: Giants, was released in 2012 for the Nintendo 3DS, PlayStation 3, Wii, Wii U, and Xbox 360.
I have a very wide diverse skillset that can be applied to multiple verticles inside multiple spaces.
From 360 degree films to full blown VR experiences using motion controls and volumetric captures coupled with advance AI systems attached to reaction based 3D video montitoring user data controlling dynamic story lines. I have created content for the following markets, Real Estate, Medical, Marketing, Entertainment and Game.
Specializing in Hologram development with stereoscopic and volumetrically captured content. Directed the development on over 10 celebrity brand holograms being consumed on mulitple devices, from Mobile phones, AR glasses, Ipads, AR displays, Hologram pyrymids and many more devices to come.
With over 10 years experience in the game industry & multiple triple A titles under my belt. I bring a ton of knowledge and experience to the game dev teams I love to join. I check my ego at the door it's all about the project and its commercial success! I live to create the best game experiences for the consumer while striving to uphold at all cost the vison of my producers, creative leads and executive staff. I've worked in every discpline of the game industry from QA to Creative Director I love every aspect of Game Development. From long days of writing powerful optimized code to long nights of examining UI/UX design theories.
I believe emerging new technolgies especailly those that utilize HMD's and eyeware must pay very close attention to UI/UX design. UI design & UX design are perhaps the most crucial areas of development that need extremly detailed polish. Layering graphics inside the real world and or in a virtual world is a delicate art. Crucial to the success of HMD/Glasses powered applications UI/UX has been a huge focus of mine for many years now. I've been designing & developing UI for VR & AR applications for several years learning new and powerful ways to better the users experience and increase playability with familarity to my designs by me leveraging common design patterns & implementations.
With a passion for web development and nearly 100 websites designed under my portfolio I've been focusing on VR/AR websites with WebVR integrations. The web is catching back up to applications. VR has reinforced the need for the WEB to become more powerful and handle more computing the downloading times and updating of apllications is getting old and bothersome the more websites go Mobile and the applications are able to be intgrated directly within the website is here. I'm on the frontlines using Game engines to help design Web applications that are built directly into WebVR's frame work and will need no installation for its users. I'm focused on faster access to content with-out blockers or barriers to search and consume content immediately.
Consulted several new VR & AR start-ups entering different competitive spaces with very different business models. Also consulted & led dev teams that built POCs for many of the world's top brands, talent and companies looking to capitalize on marketing with VR/AR experiences & it's technology. I have knowledge on all the leading developers in most every verticle and have deployed multiple revenue barring business stratigies and monetization methods that produced an ROI in an extremely early adoption period.
Please don't hesitate to contact me
Phone: (516) 729 1822